Years ago, I saw a painting by Gustav Caillebotte of people on a steel bridge and I thought “Wow! That feels very modern!” And, for the mid-to-late nineteenth-century it must have been. My latest painting, “Redox,” doesn’t feature a bridge, but bridge-like architectural elements in contrast with eighteenth-century figures. Just disorienting enough to, hopefully, make… Continue reading “Redox,” a new painting